1. Best Free Compressor Vst 2020
2. Best Free Compressor Vst 2019
3. Best Free Compressor Vst Reddit
4. Best Free Compressor Vst

The fixed value, single slider compressor that’s been around longer than some of the people using it. I am not going to lie — to this day it is still one of the best compressors, particularly for vocals, ever made. In this video I look at over 10 free audio compression plugins. This is part of my best free vst plugins 2020 series. If you'd like to check out more of the.

Let’s get your vocals under control with the best vocal compressor plugin software.

I have to start by saying that this is an almost impossible question to answer, as compressors, as with EQs, tend to have character - especially the free ones. It also depends on how experienced someone is with using compression, as it’s very easy.

As each compressor plugin software is different, and there are myriads out there to choose from, we’ll keep it simple, and take a look at 5 of best best choices out there…

All of which were researched and recommended by the best.

Quick answer: Softube Tube-Tech CL 1B is the favorite, but if you’re looking for something less costly, take a look at the FabFilter Pro-C2 as perhaps the most popular option out there.

However, picking off a couple isn’t good enough, compressors differ based on character and style.

So let’s take a closer look 🙂

Find more great gear here:

EQ Plugins for Vocals, Top Waves Audio Plugins, Tape Emulation Plugins,Vocal Microphones

Vocal Compression Guide

What is a Compressor?

Compressors are a bit of a controversial plugin in some ways, as to many it is mystery how it works… and even more of a mystery as to what it can do for them.

This is especially true when it comes to vocal compression.

But as simply put as possible, a compressor compresses dynamic range. So that means that above a set volume (threshold), the compressor will limit the amount of volume increase going out the back end (output) compared to what is coming in the front end (Input).

Given that basic function (compressing and audio signal’s dynamic range), you can imagine the vistas of creative potential open to producers. Imaginative engineers realized you could use them creatively to re-shape the transient shape of sounds. Presto! Compression algorithms became secret sauce.

Hence many fancy named compression techniques, such as of side-chaining, parallel compression, etc., are now used. But not just in a technical way, but as if the compressor was itself a musical instrument.

However, we are on the topic of vocal compressor plugins. So, keeping that in mind, there are a few features that every good compressor should have. Let’s find out.

Features to look for & How to choose

If you follow forum discussions, you will find a lot of opinions about the various types of processors out there. Each producer has their favorite because, given time and experience, one compressor can be somewhat like another.

All compressors will should have these:

• Threshold – which determines the level your audio signal must be before the compressor can reduce its volume.
• Ratio – determines the level of compression that will be applied to the audio signal once the loudness threshold is reached.
• Attack – how fast or slow the compressor will be activated to reduce loudness.
• Release – how fast or slow the compressor will be deactivated to return the audio signal to is original level.
• Knee – smooths out the ratio so that there isn’t a sudden change in dynamics.
• Make-Up Gain – used to “make-up” the amount of gain that has been lost from all that amplitude attenuation.
• Output – allows you to increase or decrease the sound coming out of the compressor to a desired level.

For a more detailed explanation of each, read thisreal funny exposition of audio compression in music production.

Beside these featured listed, a compressor may function slightly differently, or offer some additional features that make them useful for whatever purpose you want to use it for… in this case, mixing and recording vocals.

Character and Vanilla

There are “Character” units, and “Vanilla” units. Like the name suggests, a good character compressor will add some depth and personality to your vocals. A vanilla compressor will get the job done without you know it was even in the room, like a good butler.

Other than that, another thing to look for in a compressor is versatility. That and the ability to get the results you want reasonably quickly.

Sometimes those things will conflict a bit. That is why we choose a plugin which fits our needs the best.

Best Compressor VST Plugins for Vocals

Softube Tube-Tech CL-1B

Price & Demos @ Plugin Boutique

Softube is a great name in overdrive DSP and this FET emulation has many, many fans. This one is of an optical unit. A high-ticket opto unit that many love for its “musicality,” but may be out of some user’s budget.

Feature wise it’s a lot like the popular CLA-76 from Waves that we mention below, but the source unit has a unique behavior that made them a top choice. The optical method is prone to being softer and gentler to vocals, while still being able to lay down the law when necessary.

It is all about the secret DSP sauce of how nothing is really linear. Add 2db of Gain and suddenly your sound is different. Changing one knob is like changing five knobs on a “clean” compressor. Over time you can get a sense of what is going on. Until then…

You tend to start out wiggling the vaguely labelled knobs and suddenly something great appears in the murk. This is character processing at its best, and if the unit sounds good then you can’t beat it.

The only downside to nitpick at is that if you’re a control freak you can also find it frustrating, since you can’t so much “control” this unit but rather “guide” it like an air traffic controller guiding a Boeing 747 onto land.

That said, it’s good to give up some control, especially if you know there were some experts at the wheel behind this thing, and the results are often solid.

If this is the path for you then close your doors to the world and make this the only device you use for everything. Just like they did back in 1965. It is part of your “sound.”

Demonstration

Waves CLA-76

Price & Demos @ Waves Audio

Waves have been around for a very long time and for much of it as the top name in the game. Their plugins used to be really expensive. Nowadays if you catch them on sale they are cheap as chips. And general pretty good value for that.

The CLA-76 comes in two guises (blue & black) and both are emulations of versions of a classic 60’s Compressor/Limiter. People still pay big coin for hardware versions of these things for “modern” recordings.

Feature wise, these units don’t have a lot on offer. Input, Output, speed the Ratio Curve operates, and then a section of Ratio pre-sets. Sounds dull, I know, but in-practice they can be great.

CLA-76 has a pretty fast Attack, meaning there isn’t too much time between a loud transient arriving and the compression goblins leaping into action. Great for drums as you can really flatten them to add thickness, edge and size.

And for vocals? Depends on who you are. Some like the CLA-76 for vocals for that very same reason. Merciless attack times, the ability to really crunch those pop vocals. Others don’t. But some producers, like Chris Lord-Alge, swear by them for the “the sound.”

Another thing to watch out for is that these units add saturation which changes the “weight” of the sound with wee bits of distortion overtones (and some undertones too). This means the units respond very nicely to being hit hard.

Demonstration

Softube FET Compressor

Price & Demos @ Plugin Boutique

More Softube, more emulation. Everyone loves a bit of bounty hunter scum. Or so it would seem with another 1176 emulation. This one looks more like a 70’s Hi Fi than the original though.

Price-wise, when it’s not on sale, it costs more than the Waves unit mentioned. So it’s a good idea to take a look to see if you’re lucky.

However, FET has more features. Softube added some more modern features (along with improving the flow of the knobs) so you can parallel process and alter what parts of the signal trigger the processing goblins. This is doable with some effort in your DAW with the CLA-76, but far easier in the FET.

Again, some people love it on vocals, as it can really rough them up add some punch where needed. Many think the parameter additions make this a better bet there. Just keep in mind that some have noticed that the FET can slide into distortion if you aren’t paying attention.

This is a character effect (processor to be accurate). So be aware that, while you can use it on everything, including vocals, you may find that you’d want to slap this bad boy onto different things in different places.

Demonstration

Softube Summit Audio TLA-100 Compressor

Price & Demos @ Plugin Boutique

Another minimalistic blast from the past. The Summit Audio units got popular in the 80’s, particularly for vocals.

The reason this style of unit works so well for vocals is that it tends to be kind. Besides the Tube-Tech, the other compressors so far have tended to be rough and rowdy (which has its charm) but the TLA-100 is smoother and less noticeable as it goes about its work.

“Smooth”, “controlled”, and “softening” are common adjectives applied to the TLA-100. Softube added a few extra features including a separate saturation section so you can control how tubular it all gets.

The Parallel options seems slightly unusual as that effect is normally used with more brutal compressors but we won’t complain that it is there.

This compressor isn’t a jack of all trades. But if you want a character unit to supplement your core compression, or you want to choose one unit to live with then this could be it. I may just suggest that it could see you struggle with less controlled singers like Rappers.

If you ever feel the need to lay down the law in your vocal mix, refer to the other units mentioned. But for singer-songwriter tracks, this is great.

Demonstration

FabFilter Pro-C2 Compressor

Price & Demos @ Plugin Boutique

This fellow is the real odd one out here. Not because it’s the best or the worst, but because it’s not a character unit. Pro-C2 is all about modern, practical, versatility, and clean.

This is the modern jack of all trades, cover every piece of ground, device that many of us bedroom boys love. Why buy and learn 78 devices when you can get one?

It is also simply the go-to plugin for all your compressing duties on every track, not just vocals. So it is well worth it.

You get a lot of modes targeted at most of the common things you will want to do with a compressor. For instance, its vocal mode helps you to bring vocals to the front of the mix. A nice little addition to a plugin.

Analog, Classic & Optical style modes are also on the list. But honestly, it is doubted that they can really compete with the dedicated units mentioned above. Think of it as leaning a bit that way.

Upside? This is the only unit here to offer control over the Knee of the compression critters. Boggling if you don’t get it but super useful if you do. Especially when it comes to vocal mixing.

Also, if you ever needed to learn how to use a compressor for mixing vocals, you’ll probably find about as many engineers on Youtube showing you how to mix vocals via the FabFilter Pro-C2 than any other one mentioned. You probably think of it as the ‘Fruity Loops’ of compressors.

Also, rather than being stuck in an old-hardware frame of mind the interface is visually informative and very adjustable to suit your task or preferences. You can even pop it full screen on an unreasonable large Retina display!

Demonstration

Waves Audio V-Comp

Price & Demos @ Waves Audio

Waves V-Comp rides on the vintage Neve’2254’s classic sound with its super-responsive dynamics processor.

It has all the typical compressor controls and its interface is intuitive and easy to use. The V-Comp also features a De-Esser switch which functions like a high-frequency side-chain to smoothen harsh high frequencies in the mix. This is a nifty feature that can be turned on and off with a single switch. Also included is a limiter that can be used independently.

While some user reviews do not seem convinced of the V-Comp’s emulation of the actual 2254 machine, many are satisfied with its silky smooth compression. V-Comp lends a unique ‘analog-ish’ color to the entire mix, which we believe to be a commendable feat in itself.

Its vintage-style squashing of the transients is also convincing. There is a bit of warmth in the processed signal which can be further shaped by the De-Esser and the limiter functions.

Needless to say, the V-Comp is a good option for those who want the most out of their buck, especially if you’re going for an easy-to-use plugin that fits most styles of sound.

Waves CLA-2A

Price & Demos @ Waves Audio

The CLA-2A is modeled after the legendary Teletronix LA-2A, a tube-based compressor from the 1960s. The Teletronix LA-2A is prized for its electro-luminescent optical attenuator. The Waves CLA-2A emulates this frequency-dependent action for smooth gain reduction.

Producers love the multi-stage release and the CLA-2A’s quick response, both of which add character to the mix. It seems that most producers use the CLA-2A for leveling purposes, particularly for bass sounds. But it has also proven itself as a competent vocal compressor as well.

Included when buying the CLA-2A are presets made by Grammy-winning mix engineer Chris-Lord-Alge, a side-chain frequency filter, and a limiter mode.

The CLA-2A does not have a lot of tricks, but its historic sound and simplicity makes up most of its charm. It has more than you would ever expect from a product of its price point.

Waves CLA-3A

Price & Demos @ Waves Audio

Based on the original 1969 solid-state compressor, the Waves CLA-3A boasts a transparent compression curve. This ensures a fast response from attack to release, a perfect tool for high-tempo music.

Moreover, it packs a subtle harmonic distortion for some added spice. This works best for bass, as it brings out a unique kink from the sound. Nonetheless, the CLA-3A infuses this edge to your vocals without ruining the signal.

Like the CLA-2A, it uses an optical attenuator for gain reduction. The algorithms behind the compression are program dependent. This means that it is hard to say how a particular setting would change the quality of the sound. This unwieldiness is expected out of any ‘vintage-style’ compressor and is what makes it fun to use.

The CLA-3A’s interface is fairly simple. It has a Peak Reduction knob for controlling the desired compression, and a Gain knob for adjusting the levels after compression.

Overall, the CLA-3A can be used for a wide variety of applications. But its magic is most potent on bass, vocals, and guitars.

Waves Renaissance Vox

Price & Demos @ Waves Audio

None other than Drake’s producer Noah “40” Shebib has praised this plugin as “one of the most important plugins ever made.” These high words of praise are only equaled by the Waves Renaissance Vox’s packed features.

What the R-Vox lacks in visual appeal, it makes up for in its ‘under the hood’ bag of tricks. It deploys an entire array of expansion, compression, and limiting gadgetry, most of which happens by way automation.

But despite the complex tech behind R-Vox’s processing chain, users are only given three controllable parameters, which are expander and compressor thresholds and output attenuation. Needless to say, producers who want more control over the attack and release times may find the Renaissance Vox too wild of a beast to tame.

Nevertheless, this plugin’s ‘plug-and-play’ philosophy helps producers focus on other mixing aspects by automating the gritty details. And it does this to excellent effect. An instance of R-Vox instantly puts your signal into the front and center of the mix. It adds weight to any signal, which can help for weak-sounding vocals to stand out.

Another added bonus is its relatively small CPU footprint. You can chuck in multiple instances of the plugin without putting a strain on your machine.

Final Thoughts

Vst plugin not saving in obs. What to do?

The Tube-Tech CL 1B unit is the favorite by far. But being a high-ticket item, you may want to consider the other four units mentioned if you’re on a tighter budget.

Then, you can decide if you want to commit to a path, like owning one unit that you use for everything, or having a couple that fits diverging tastes. In the latter case you won’t have one unit that you have to “fight with” to submit to every path that comes across your DAW.

If you’re thinking a character unit, then it really comes down to what appeals to you mostly. Namely:

Waves CLA-76, Softube FET and Summit Audio TLA-100.

Waves CLA-76 and Softube FET may suit people who mix harder and louder (as most of us have to these days), and whose vocalists need more discipline. Submitting to the Summit Audio TLA-100 could be perfect for the folksier amongst us.

But if dollars are the deciding factor, then check if Waves is having one of their many sales right now go grab it!

But for the vanilla producer/engineer, the FabFilter Pro-C2 has so many possibilities. Not only in the “I can’t believe it’s not butter” processing, but in dramatic or effect processing that makes it hard to pass by.

If you want just one compressor and don’t mind the vanilla, FabFilter Pro-C2 is the one ring to rule them all.

The Tube-Tech CL1B, when powered up with the Collection Upgrade, proves itself to be a very competent product. While definitely among the most expensive in the list, its versatility and its added features make it worth every buck.

But one cannot also ignore the CLA-2A and CLA-3A, as these are also very powerful compressors. What makes them interesting are their unique vintage features. If you’re looking for something that would help you develop your personal sound, these two products might suit you the best.

Of course, one could never go wrong with the Renaissance Vox. While also learning more towards the pricier side, the simplicity and the sheer power of this plugin makes it an awesome choice for newbies and vets alike.

On the other end of the spectrum is the FabFilter Pro-C2 which is as simple and vanilla as you can get. If you’re looking for a no-nonsense compressor that does its job, the FabFilter is an ax that will never fail you when you need it the most.

Disclosure: When you buy through our links, we may get a commission at zero cost to you.

“My audio sample sounds dry” – I’ll add a reverb effect to make it wet (sound roomy) a little!

That was a joke, I can bet you have come across several effects in your software applications (DAW) such as reverb, delay, compression, distortion, and other various effects.

But! Why do we use audio effects in the first place?

To answer that question, I’ll ask you a simple question. How would your meal taste without any ingredients?

Tasteless right! Yh, sure, it’s still eatable but it lacks flavor. Let’s transition back to the old question, why do we use audio effects?

Audio effects are software devices (ingredients) that manipulates an audio signal to a specific taste, it can make a dry audio signal sound wet, it can help in controlling the gains of an uncompressed sound (proper leveling of peaks), it can make a dull audio sample sound lively, and it can also be misused (think of adding too many/too little salt to your meal).

Since we know the importance of using audio effects, I would be recommending some of the best free VST effects plugins.

It doesn’t make any sense to randomly list the effects, so I decided to categorize each and every effect, all compressor vst effect plugin would be under the Compressor Vst category, reverb vst effects plugin would be under Reverb Vst category, you get the idea.

Page Contents

• Compressor Free VST/AU/AAX Plugin
• Reverb Free VST/AU/AAX Plugin
• Delay Free VST/AU/AAX Plugin
• EQ Free VST/AU/AAX Plugin

Let’s get cracking…

Compressor Free VST/AU/AAX Plugin

Compression is an effect or an audio processing tool that is used to control the overall Dynamics of an audio signal or an audio portion.

Some of the best free compressor plugins are…

1.) Audiofb – SeteChave Compressor

SeteChave is the first compressor on our list and is designed with characteristics close to the “pumping” effect. It can be used for parallel compressing and it is really intuitive with minimal knobs, so, you will quickly get a hold of this one.

Features:

• Input – Input signal gain control from -12db to + 12db
• Att – Attack spanning from 1.2ms to 500ms
• Rel – Release ranging from 20ms to 5s
• Threshold – with decibel range from 0db to -36db
• Ratio – Compression ratio, ranging from 1: 1 to 200: 1
• Knee – Curve gives compression, which varies between values 1 and 5 Output – Output signal gain control from -12db to + 12db.

Specification Requirements:

• Windows: Minimum of Win 8.1
• Mac OSX: Minimum of 10.10
• Supports Only 64bits of this format: VST/VST3/AAX/AU

Download (Requires Free Registration): SeteChave Compressor

2.) TDR Nova

Nova is a parallel equalizer and a multiband compressor that can tackle and fix a wide range of applications when processing. It can feel a little bit daunting when using TDR due to its various knobs, but you should easily get familiar after experimenting with its features and besides, it is free 😉

TDR NOVA is useful and works with all kinds of audio material, be it a drum bus asking for more crispiness, or a sibilance issue with your sounds, Nova got your back!

A simple UI design, drag and drop display with a classic “Knob” interface given quick and smooth access to the various parameters driving NOVA’s powerful processing capabilities.

The most interesting thing about this tool is that it has a rare feature you would find in Nova is that it allow users to copy and paste presets, and a lot of more great feature.

Features:

• Parametric equalization
• Dynamic equalization
• Frequency selective compression
• Multi-band compression
• Wideband compression.

Specification Requirement:

• Compatible with Windows ( Windows Vista, 7, 8, 10 and later versions) and macOS X 10.7 and above
• Win 32bit formats: VST2/AAX
• Win 64bits formats: VST2/VST3/AAX
• Mac OSx 64bits formats: VST2/VST3/AU/AAX

Download TDR NOVA

3.) T-Chain

I can’t even believe this is free (well, partially!)

T-Chain as it names sounds, it is a chain of different plugins or a channel strip plugin that is designed for modularity, users can arrange different sound modules within the signal path, you get the idea!.

For example, you might decide to use it as a single Eq or a compressor module and if you so wish, you can arrange different sound modules such as a free EQ, Compressor, Gate, and Splitter (for splitting the signal into two distinct paths), one of the most exciting features about this free plugin, is that the module can be rearranged, added, and deleted by drag-and-drop, this way, your life can be easier rearranging your signal chain.

I should mention some modules aren’t free but getting a free Eq, compressor, gate, and splitter is more than enough for so many use cases.

Features:

• Free and Paid modules, with the ability to demo any module at any time
• Customizable spectrum analyzer and waveform display
• Full-featured preset management system with searchable filter and text-based importing/exporting
• Multiple plugin interface size (compact, small, medium, and large)
• A/B Comparison feature for the entire plugin, and for individual modules

Specification Requirement:

• Available on Mac and PC; in VST, VST3, AU, and AAX formats; and 32- and 64-bit architecture

Download Mac: T-Chain for Mac

Download PC: T-Chain for Win

4.) TDR Kotelnikov

TDR Kotelnikov is a plugin by tokyodawn, the maker of TDR Nova.

Kotelnikov is a wideband dynamics compressor that is designed with high fidelity dynamic range control with deep musical flexibility. Their Nova plugin is a combo of Eq and Compressor while Kotelnikov is built solely for dynamic processing and has an on par features such as a proven control scheme, individual release control for peak and RMS content, an intuitive user interface, and powerful, state of the art, high-precision algorithms.

This plugin is suited when used as bus compression and or a master channel, if you try throwing many instances of Kotelnikov on your mixer inserts, you’ll eat your CPU up!

Features:

• 64bit multi-rate processing structure for highest accuracy
• “Delta” oversampled signal path (bit transparent at 0dB gain reduction)
• Super fast, yet natural sounding compression
• Flexible sidechain highpass filter
• Advanced stereo linking options optimized for the stereo bus
• Delta preview mode previews the difference between the compressed and original signal
• Latency compensated, click-free bypass (i.e. processing never interrupted)
• Advance User interface rescaling (100%, 125%, 150%)

Specification Requirement:

• Compatible with Windows ( Windows Vista, 7, 8, 10 and later versions) and macOS X 10.7 and above
• Win 32bit formats: VST2/AAX
• Win 64bits formats: VST2/VST3/AAX
• Mac OSx 64bits formats: VST2/VST3/AU/AAX

Download Mac: TDR Kotelnikov

5.) Multiband Compressor – OTT

OTT is based on a popular Ableton compressor presets and are redesigned has a three-band compressor that can either be used as an Upward or Downward compressor.

Download OTT

6.) Beatskillz – Max1

I might be biased in this review but personally, this is one of the best auto-compressor plugins out there. Max 1 will automatically analyze the ratio depending on the audio source and compress accordingly.

If you feel itchy about using an auto compressor tool, you are as well covered, Max1 comes with the default compressor knobs (Threshold, Attack, Gain, and the likes). In addition to this, it also comes bundled with a soft clip switch so you can clip anything that goes past 0dB, this way, you can save extra effort using a Limiter.

Features:

• Auto-Compressor with “intelligent” and variable release time and ratio settings.
• Control your peaks very easily or increase the energy and levels of your track or mix effortlessly.
• The Plugin has accurate metering for both L/R input and output channels as well as Gain Gain Reduction Metering.
• Great Presets to get you started on all types of material and also save your own presets.
• When compressing a lot, just use the “Attack” knob to dial back the punch easily. Use the soft limit to make your track loud effortlessly and transparently.
• Never Lose “Bass” when maximizing your mix or sounds, retain the character of your sounds with this transparent dynamics processor.
• Easy Effortless Compression and Energy Maximization.

Download: Win 32 VST / Win 64 VST / Mac OSX VST / Mac AU

Note: You might be asked to provide a serial key, just input your email and if you don’t get one by email, click not today

7.) Dead Duck Free Effects Bundle (25 VST audio effect plugins)

This is a bundled effect plugin by Dead duck. It contains 25 original VST audio effect plugins covering everything from essential mixing tools such as EQ, compression, and limiting to creative sound-shaping tools such as delays, modulation effects, and reverb:

1. AutoFilter: A resonant 4-pole low-pass filter with a built-in LFO modulator.
2. AutoPan: An auto-panning modulation effect with optional tempo-sync and width control.
3. BitCrusher: A bit-crusher effect for lo-fi distortion.
4. Channel: A multi-function channel-strip plugin featuring gate, compressor, equalizer, limiter, filters and gain controls with comprehensive input, output, and gain-reduction metering.
5. Chorus: A stereo chorus effect with optional tempo-sync.
6. Compressor: A peak compressor with optional external side-chain input.
7. DeEsser: A de-esser for reducing sibilance and other unwanted high-frequency sounds.
8. Delay: A stereo delay featuring independent left and right channels with optional stereo linking and tempo-sync.
9. DJEQ: A three-band ‘DJ-style’ equalizer.
10. DualFilter: A high-pass and low-pass filter combination with full-range cutoff frequencies and resonance.
11. Equalizer: A four-band parametric equalizer with switchable low- and high-shelf bands.
12. Expander: A downward expander with optional external side-chain input.
13. Filter: A multi-mode filter including low-pass, high-pass, band-pass and band-stop responses from 12 to 48 dB/octave.
14. Flanger: A stereo flanger with optional tempo-sync.
15. Gate: A noise-gate with optional external side-chain input.
16. Limiter: A ‘soft’ limiter with optional hard-clipper.
17. MonoDelay: A mono-delay with optional ‘ping-pong’ stereo output and tempo-sync.
18. Overdrive: An overdrive distortion effect.
19. Phaser: A stereo, multi-stage phaser with optional tempo-sync.
20. Reverb: An efficient algorithmic reverb with pre-delay and input filtering.
21. RingMod: A ring-modulation effect.
22. SigGen: A signal-generator with sine, pink noise, and white noise outputs.
23. TiltEQ: A tilt-equalizer for adjusting high/low-frequency balance.
24. Tremolo: A volume-modulation effect with optional tempo-sync.
25. Utility: A multi-function mixing utility.

Download: Dead Duck Free Effects Bundle

Reverb Free VST/AU/AAX Plugin

Reverb is the simulation of the sound of space. This space could be your bathroom, a small room, a concert hall, a chamber, and so on.

It can be used to create all sorts of effects but it can easily be misused too, basically reverb effects can be used to…

• To create depth in a mix; pushing elements further back in a mix
• To glue elements within a track together
• and many more.

Let’s see some of the best free reverb plugins…

8.) Voxengo – OldSkoolVerb

Voxengo plugins have been my best and ready to go plugin for my music production toolbox.

OldSkoolVerbemulates the classic stereo verb algorithm and produces a crystal clear spatial image that blends well with an audio file.

This reverb tool comes bundled with various sets of parameters permitting a user to achieve different reverb styles ranging from room reverb to hall reverb to plate reverb.

“The Voxengo OldSkoolVerb is best used for a non-percussive and soft-attack sound like vocals, piano and pad sounds”.

Specification Requirement:

• Compatible with Windows ( Windows XP, Vista, 7, 8, 10 and later versions) and macOS (10.7 and later releases, Intel processor-based)
• VST/AAX supports
• Compatible with 32 and 64 bit on Windows and Mac Os
• Supports 2 GHz dual-core or faster processor
• 2GB RAM or higher

Download OldSkoolVerb

8.) Smart Electronix – Ambience

A friend recommended Ambience too me a few years back, and the moment I tested it, I was literally blown away.

One of my favorite features of Ambience is the hold parameter which smartly freezes the reverb tail until the button is released. You can use this for creating a reverse reverb effect, special effect and you can even automate the knobs.

Ambience is a donationware plugin. You get a nag screen with no limitation, and if you love the plugin, you can donate to the developer.’

Download: Win 32 VST / Mac OSX VST

9.) Anwida Soft – DX Reverb Light

This is the light version of the original DX Reverb. The light version contains only one simplified algorithm of the 11 available algorithms in the full version, even with the limitation, DX Reverb Light can be handy for a quick reverb effect.

Download: Win 32 VST / Win 64 VST / Mac OSX VST / Mac AU

10.) Signaldust – Abstract Chamber

I don’t know if you ever notice undesirable reverb effect when used for longer reverb sounds, it sounds frustrating some times, with Abstract Chamber you can create a longer modulated reverbs whole also maintaining a natural yet abstract spatial impression.

It only supports VST

Download Abstract Chamber

11.) TAL-Reverb III

TAL-Reverb 3 is designed to be used as a stereo plate plug-in, which is the replacement of its predecessor (TAL-Reverb-II). This new edition has several improvements such as an optimized GUI and some changes in the reverb algorithm.

Additionally, TAL-Reverb 3 has a simple EQ section, a meter display and shows actual slider values.

Features:

• Plate reverb sound.
• One simple room size control.
• Pre-delay up to one second.
• EQ section (12dB cut, low shelf filter at 1000Hz, high shelf filter at 200Hz).
• Stereo width control (from full stereo to mono).
• Stereo input mode (mono or stereo input).
• Displays the slider value of the active fader.
• A meter shows the output volume.
• 10 factory presets.

Specification Requirements:

• Windows: Windows XP or higher (32 / 64 bit)
• OSX: OSX 10.7 or higher (32 / 64 bit).
• AAX: Pro Tools 10.3.6 or higher

Download: Windows / Mac

Delay Free VST/AU/AAX Plugin

Best Free Compressor Vst 2020

Delay is an audio effect that records an input audio signal to a medium and then plays it back after a period of time or after the time you specify.

Some of the free delay plugins are…

12.) Proximity

Proximity is easy to use delay plugin based on several psycho-acoustic models. The idea is to give mixing engineers a reliable tool for manipulating the depth of several sound sources in a straight forward and convincing manner.

It is available in both 32 and 64-bits versions for Windows and Mac OS X in VST & AU format.

Download: Windows / Mac

13.) Adam Monroe’s Delay

Adam Monroe’s Delay is a free delay VST/AU/ AAX plugin. It features traditional delay parameters such as time and feedback, as well as high/low-pass filtering and synchronized ping-pong panning.

It supports both 32 and 64-bit version:

Download: Win VST / Win AAX / Mac VST / Mac AU

EQ Free VST/AU/AAX Plugin

14.) TAL-USE

TAL-USE (Ultra Simple Eq) is especially designed after some tilt eq’s from the ’70s.

This type of eq allows adjusting the audio material without changing the character of a sound to much.

It’s an easy way, to make an audio signal sound darker or brighter with only one knob. The bass lift knob is a special addition that boosts or attenuates bass frequencies below 300Hz.

Requirements:

Best Free Compressor Vst 2019

• Windows XP or higher (32 / 64 bit)
• OSX 10.6 and < 10.10 (32 bit Host).

Download: Win 32 VST / OSX 32 VST / OSX 32 AU

Best Free Compressor Vst Reddit

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Best Free Compressor Vst