1. Top Free Upright Bass Vst Hip Hop
2. Free Upright Bass Plugin
3. Top Free Upright Bass Vst Plugin
4. Free Bass Guitar Vst
5. Top Free Upright Bass Vst Software
6. Best Upright Bass Vst

In this video, we cover 4 free bass vst instruments to create synths and basslines completely with software. These plugins are perfect for budget electronic. The Top 10 Best VST Synth Plugins For Bass: The List (in no particular order) 1. Native Instruments Massive. While many of the synth plugins on this list are modelled on classic hardware, Massive is an altogether different beast, taking bits and pieces of features and ideas from all over the place. Sonex Audio has released Upright Bass, for free, and Bass Legends Pro Collection, an extensive 14 GB collection of Bass Guitars and Synth Basses for NI Kontakt, for the introductory price of $19.99. Features: Synth Bass, Upright Bass, Bass Guitars (Funk, Jazz and Rock). Free upright bass I'm searching for a free upright bass vst to make jazz remixes but i can't find it anywhere on the internet. Does anybody know where i can find it? On Samara Cycle Audio, you can find a big collection of free VST instruments and effect plugins. One of them is Om Bass 2, a much-improved successor of the original Om Bass. This VST plugin is a fun one: With 128 presets to try and a ton of settings, you can shape your bass tone to your liking. Best Free VST plugins for Drums. 31) MT Power DrumKit 2. With a pre-programmed groove library and many top-notch snare sounds under its belt, the MT Power DrumKit 2 ensures that the snare cuts right through the mix and thus stakes its claim as the one of the best free VST plugins. 32) StudioLinked Drum Pro.

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A song without a bass instrument would, well, sound lifeless, and incomplete. Set vst plugin paths. You might think it shouldn’t be necessary, well you might be right as songs are different, but the moment you add a superb bassline, then you would quickly notice the depth and life of the song, you would enjoy whatever you are doing by just adding a simple bass.

But… don’t take my words for it, here is a before and after of a simple track, one with no bass, and the other with a bassline:

Use an headphone off course

You can see how the bass gives it a lead on, it just feels more punchy and relaxing, here is another example:

Be the judge, my guest 😉

Since we know the importance of using a bass instrument, I would be recommending some of the best bass virtual instruments that sound good and realistic, enjoy the rest of the show…

1.) ujam Virtual Bassist DANDY

ujam ‘DANDY’ is the latest addition to the acclaimed Virtual Bassist line. This meticulously crafted plug-in features a sampled bass with flat-wound strings for a classy, warm, and restrained sound.

DANDY perfectly complements the Virtual Bassist Series including ROYAL (electric
fingered session bass), ROWDY (energetic picked electric rock bass), and MELLOW
(fingered acoustic double bass).

The Virtual Bassists can be played freely in the Instrument Mode, follow key and chords intelligently to play phrases in the Player Mode, or automatically accompany a track using PreSonus Studio One Chord Track and Key Switch features.

►Key Features:

• 30 styles and 990 phrases
• 100 signature presets
• 4 character and smart mix presets each
• 15 built-in Finisher multi-effect modes
• MIDI Drag and Drop and a resizable GUI
• Instrument & Player modes, Studio One Chord Track, and Key Switches

2.) ikmultimedia – MODO BASS

ikmultimedia doesn’t need an introduction, their products are one of the best in the music market, and now, we have exemplarily Bass. MODO BASS is one of the first physically modeled electric bass virtual instrument that gives you an astounding realistic performance for your music tracks.

MODO BASS isn’t a mere traditional sample-based virtual instruments, but a groundbreaking realistic BASS that utilizes an astonishing technology to breathe life into bass tracks. Unlike traditional sample-based virtual instruments, MODO BASS utilizes modal synthesis technology and an ultra-optimized sound engine to model each string as a nonlinear resonator.

The good thing about MODO BASS is that each string’s acoustic behavior is determined by its physical parameters, as well modeling the action of the player as a nonlinear physical interaction with certain areas on the string surface and the interaction of the string with the fretboard, body, and pick-ups of the instrument.

On top of that, you can add IK’s cutting edge analog modeling expertise, the amp and effects rig of the electric bass is added to the sound chain.

Top Free Upright Bass Vst Hip Hop

The thing I find the most interesting is the fact that it comes bundled with a collection of 14 iconic bass models that define virtually every style and every genre of music recorded with electric bass.

Each bass model was chosen for its particular timbre and wood tone, and every detail of the instrument’s performance has been meticulously modeled and recreated.

►Key Features

• The first physically modeled electric bass virtual instrument
• Groundbreaking real-time modal synthesis technology — no samples used to create the sound
• Recreate virtually every electric bass sound imaginably
• 14 iconic bass models that span the history of recorded electric bass
• Models the entire act of playing an electric bass – player, instrument, FX & amp
• Ultra-small memory footprint
• Choose playing style — pluck, slap, and pick
• Freely move the playing hand for realistic performance
• Customize string force, fingers used, pick thickness & technique
• Customize string number, scale, tuning, gauge, construction, action, age
• 24 faithfully recreated, interchangeable iconic bass pickups with volume
• Choose active or passive electronics with parametric EQ
• Under-bridge piezo pickup with blend
• 7 bass stompbox effects configurable in 4-slot chain
• 2 iconic bass amps – Solid State and Tube derived from AmpliTube
• FX and amp global bypass for routing
• Optimized resizable interface
• Works as a 64-bit plug-in or standalone instrument for Mac/PC
• Full MIDI control with MIDI learn, key switches
• Full DAW automation control support

3.) Bass Engine 1 by DopeSONIX

Bass Engine 1 is a Hip-Hop bass plug-in by DopeSONIX, it features low-end bass and 808 sounds. DopeSONIX did thorough research from the last three decades of Hip Hop production, and have selected the most useful and relevant ones of that era.

You’ll find a different collection of basses such as dusty jazzy upright bass to floor shaking 808’s and everything in between. Let’s learn how they came about the selection of the sounds in those eras…

►Key Features

• 300 Pre-EQ’ed Hip Hop bass instruments including twenty fat 808′s
• An unrivaled collection of the Finest USEABLE Hip Hop bass instruments ever!
• 50 Hip Hop MIDI basslines included featuring a selection of styles and keys
• Built-in pitch, pan, glide, and volume controls
• Mono, Poly, and Legato Modes
• Built-in ADSR controls
• Built-in Hi & Lo pass filter
• Ultra-low CPU usage [perfect if you own a laptop/tablet / low spec PC/MAC]
• Ultra-fast patch loading [flick through patches in lightening quick times]
• Program your basslines manually or use a MIDI/USB controller/keyboard/MPD

System Requirements

Mac:

• OS X 10.4 – 10.15 (MacOS 10.15 Catalina now supported)
• 125MB disk space required
• 2 GB RAM
• Audio Units (AU) or VST DAW compatible host required (64-bit only)

Windows:

• Windows XP / 7 / 8 / 10
• 139MB disk space required
• 1 GB RAM
• VST compatible DAW host is required (32 or 64-bit)

4.) Bass Master by Loopmasters

Bass Master by Loopmasters features huge variety of bass sounds and provides inspiration for a weighty, powerful bass tone in any genre.

Across two layers, the curated set of 217 waveforms (that’s almost 50,000 possible combinations), taken from a mixture of legendary hardware classics and cutting-edge synth science.

It comes with over 350 mix-ready presets with a clean and simple UI, meaning it’s a breeze to dial in your ultimate bass tone.

The onboard filter offers 13 filter types: including a range of low-pass, band-pass and high-pass models, ladder filters and a comb filter. The filter envelope (ADSR) and LFO (including Random and Drift shapes) give Bass Master even more sculpting power.

The interesting feature I love is the Legato and Portamento that is included in the Global controls, this gives you a lot of flexibility with the glide time and the pitch bend.

►System Requirements:

macOS:

• 10.12 – 10.15 (officially tested OS X Platforms)
• Formats: AU (64 bit only) and VST (64 bit only)

Windows:

Free Upright Bass Plugin

• 10, 8 and 7
• Formats: VST (64 bit only)

5.) Monoment Bass by Softube

Monoment Bass is tailored to producing huge, solid bass tones with complex, organic overtones and focused effects for a mix-ready low end – is more than just useful. It’s foundational. It lays the groundwork for top-quality tracks.

The good thing about this Monoment Bass is that all of the source material was recorded in stereo from high-end rare and boutique synths, giving huge, wide, and mood-defining sounds.

Also, it includes a purpose-built multi-band compressor, and a spatialization tool for fine-tuning your stereo image, Monoment Bass has great-sounding effects, but more importantly, the right effects for the job.

►Key Features:

• Super-high-quality bass synth with stereo source sounds from top-end boutique hardware
• Top-notch synth architecture that’s both versatile and easy to use
• Blend noise with two different sources at once for a textured and highly complex sound
• Professional presets from Madison Mars, Vandalism, Sample Tools by Cr2, WA production, Black Octopus, and Function Loops
• A heavy focus on modern bass sounds makes this the perfect addition to the forward-thinking studio
• Fills a soundstage with domineering weight and power, yet easy to mix thanks to dedicated effects

►System Requirements:

• Mac OS X 10.12 or newer (older OS versions may work but are not tested (64-bit only).
• Windows 64-bit, versions 7, 8 or 10 (64-bit only).
• Intel Core 2 Duo, AMD Athlon 64 X2 or newer.
• Screen resolution 1280×800 or larger.
• Supported sample rates: 44.1, 48, 88.2, 96, 176.4 and 192 kHz, in both mono and stereo.
• 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space).

Without a doubt, a tight bassline is central to any good track. The bass adds soul, rhythm, and so much more, essentially creating the foundation of every song.

However, it can be tricky to find the best plugins for bass with so many options out there..

Low-end frequencies are delicate enough already, so it’s important to arm yourselves with tools that respect their fragile nature and allow the bass to breathe through.

Let’s take a deeper look into some of the best options on the market.

Our Top Choices for Bass Enhancement and Mixing

Related post: Top Sub Bass Plugins

Bassroom By Mastering the Mix

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Bassroom lives up to its name-.The EQ plugin is designed to emulate the sound conditions of different rooms. The plugin places you in a 3D sound visualizer, separated by different frequencies. This unique approach to mixing is innovative in itself, and perhaps ideal for mastering the art of bass mixing. A bassline should be heard and enjoyed through all acoustic conditions, not just on professional studio monitors.

The plugin is broken down into 5 different EQ bands that go in between 0-320Hz. Each section can be toggled to have more or less energy, depending on what virtual space you select your sound to be edited in.

Bassroom features live bypass automation, and its EQ and Q filters are designed to highlight the best tones of bass sounds. The plugin also offers 60 different presets, each catered to a specific genre of music. This feature allows the user to not only craft desired sound, but learn more about bass mixing among multiple disciplines. The VST also allows you to import a reference track, which a producer can then match their EQs to.

Bassroom is very affordable, intuitive and acts as a valuable learning tool as a valuable added bonus. Check it out.

MBassador by MeldaProduction

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While the best practice is to re-record weak track parts, sometimes that luxury is not available. MBassador by MeldaProduction proses a unique solution for those of us in this all-too-familiar predicament. The plugin is able to generate sub bass and generally more hearty bass tones from preexisting audio.

Audio input placed into the VST is automatically divided into 4 different bands which can be toggled on/off to preference. The plugin uses low-pass filters to determine the best frequencies to highlight and reference from, usually at a Hz rate a bit below where the kick drum rests. From there, a mimicked Bass and 2 different Sub Bass patterns can be enabled to boost the low end. These sounds are plugin generated and supported by MBassador’s embedded 3 processors.

To add girth, resonance, higher tones, and artifacts can also be added. As a reference, there is a built-in limiter on the interface which is extremely helpful, especially with low-end frequencies that our ears tend to distort. Within each artificial track, there are two modulation knobs: Saturation and Tone.

The plugin itself is very user-friendly and fairly simple to use. It’s made bare on purpose- It doesn’t take long for you to achieve the low-end boost you’re looking for. Unfortunately, you cannot alter the pitch of a signal within this plugin.

As for the price point, it is affordable and pretty comparable to other plugins of its stature. Overall, this plugin is great for giving your mixes an extra shine, especially if they’re lacking a comprehensive bass during the recording process.

Submarine by Waves Audio

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Have you ever played a track on a larger sound-system or subwoofer and found that the bass just doesn’t cut it? Waves has created a plugin that promises crystal-clear clarity and sub tones up to two octaves below your desired low-end sound. If you’re looking to give a track a little more girth, even to just boost it for an event where you know the low-end levels will stand out, this plugin is a life saver.

Submarine is based around two central sub generators. It features a frequency visualizer and EQ, so you can pinpoint exactly what frequency will be used to generate monstrous sub frequencies. There is also a frequency range timeline, where you can adjust either end should you want to boost a particular range instead of one specific frequency.

Waves markets this product towards users looking to play their sounds on large sound settings/clubs, so it’s important that this plugin is used with a grain of salt. Although undeniably powerful, it may not be your go-to on every track, as it is most suited for club/dance electronic music.

A huge benefit of Waves Submarine is that it uses a form of granular synthesis in preprocessing to ensure that the artificially produced frequencies are at perfect pitch and reconstructed in a way that coincides with the original signal.

Overall, the plugin very much worth the price if you’re looking to create, fat club sounds.

Sasquatch Kick Machine by Boz Digital Labs

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This plugin is pretty straightforward, but that doesn’t mean it isn’t powerful. The Sasquatch Kick Machine takes any kick sample into its interface and gives it the extra low-end power it needs. The simplicity of the VST allows it to be useful across the board in any genre of music.

Once loaded into the interface, the kick drum can be modulated with 3 different toggle options: 1) Click- The punchy part of the kick 2) Oomph- The heavier frequencies within the kick used for building a strong low end 3) Drive- The overall level of the signal. These 3 toggles are very sensitive and effective, so getting that large sound isn’t difficult.

The VST bases all changes around the signal alone- It has no internal samples. Although this could be seen as a drawback, it also means less CPU usage.

The Kick Machine is overall pretty affordable and is a great tool to get you the strong, noticeable kicks you desire. After all, a good low end is not just about sub bass.

Bark of Dog by Boz Digital Labs

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Not all great tools have to be expensive. Bark of Dog offers a remarkably simple and effective plugin for boosting your bass at the very affordable price of FREE! Created by an independent producer, this plugin allows you to shortcut the EQing process hassle-free.

Bark of Dog is essentially just a high pass filter catered towards boosting bass sounds in the mix. The creator himself states that the VST produces an effect that “can be created with any stock” EQ, however, this does not diminish the value of the interface.

The plugin is broken down into three different modes- Classic, Passive, and Combo. Classic Mode resembles the original, single-processor version of this plugin. It is the default mode of the VST and allows you to adjust the incoming signal by amplitude and frequency, focusing on the resonant bass tones. Passive mode is modeled after the “push-pull” bass technique. Here, undesired frequencies are removed according to the curve of the EQ, and the cut-off frequencies are boosted. Combo is essentially a combo of the two- Boosting all of the resonant signal tones with the Passive mode and cleaning up the signal with the “push-pull” method.

All in all, this plugin works great for its intended purpose and since its free, you’ve got nothing to lose!

LoAir by Waves

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This subharmonic generator by Waves can be used for more than just bass. Commonly, LoAir is used to add a punch to kicks, other percussion instruments, and deep cinematic soundscapes. With any easily understood user-interface, this plugin can help you get the deeper tones you need in a jiffy.

LoAir is passed around an incoming signal and a couple of processing knobs. There are no built-in sounds, so all tones generated are stemming directly from the original signal, which makes this post-processing sound more natural. It should be noted, however, that the generated tones may require additional basic polishing outside of the plugin- i.e EQ, general effects, high-pass filter, etc.

The three main controls on this VST are “Range”, “LoAir”, and “LO”. The range sets the cutoff of the lowpass filter. LoAir toggles the level of the generated tones. Lo adjusts the level of the filtered signal. Having these parameters separate creates a unique balance that stands out in the mix. The plugin also comes with a handy “align” button, which helps compress these signals together, making the output more cohesive.

Although relatively simple, LoAir is pretty inexpensive and creates the subby tones our ears love efficiently.

MaxxBass by Waves

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MaxxBass’ distinct way of processing makes it stand out among other plugins, making it widely considered one of the best plugins for bass out there. Instead of boosting the low-end signals or using a version of a high-pass filter, the VST works to artificially produce resonant overtones in your mix, making the low-end sound more full. This versatility centered around creating a fuller sound that can be applied to genres across the board.

Since this plugin is only adding resonant tones, it has the added bonus of not mudding up the frequency spectrum. MaxxBass analyzes the incoming signal and produces a couple of key tones. Your ears fill intuitive fill in the gaps between the original signal and the artificial frequencies, making the sound appear more full.

The interface is very simple, it is comprised of a visualizer, volume/level faders, and an internal limiter to prevent clipping. Although the plugin is pretty limited in function, its distinct way of addressing a weak low-end and affordability make it worth a try at the very least. It’s a step up from its counterpart Renaissance Bass also by Waves, as you have more control in terms of ratio, response, and EQing within the plugin.

Moreover, MaxxBass has a frequency visualizer of the original signal versus the processed signal so it’s easy to see where your new artificial frequencies are resting in the mix. Visual features like this one can make or break a plugin, especially when dealing with the low-end of a song- Our ears are better at distinguishing higher frequencies, so a visual aid ensures that we are producing the precise, in-tune sound our ears crave.

Renaissance Bass by Waves

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Renaissance Bass is excellent at creating the punchy, dense bass sounds that are essential to EDM and dance music, and for this reason many engineers consider this the best plugin for bass. The plugin itself is super affordable and includes a couple of presets to try and experiment with. It’s a step down from MaxxBass, but if you’re looking to add the signature resonant tones and do post-production outside of the plugin, Renaissance Bass is an excellent option.

This VST is extremely simple but still proves to be a valuable tool. The interface contains an input signal toggle, a fader for changing amplitude, and an output fader with a visualizer to prevent clipping when adjusting levels. Similarly to other plugins, Renaissance Bass simply adds desired and pivotal harmonics to the low end of a mix to produce a chunkier sound. You can dial in your cut-off frequency pretty quickly, which can help speed up your workflow.

The plugin takes up a very low amount of CPU, making it very versatile across platforms. It can also be applied to kicks to give them a more punchy attack.

If you’re looking for something to beef up your bass quickly without much hassle, this plugin definitely works in a pinch.

Bass XL by Denise

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There’s no doubt that this plugin is beautifully designed. The user interface itself is warm and welcoming, making it inviting to use. Outside of aesthetics, Bass XL works great for experienced producers who know what precise frequencies they want to boost within a mix. It’s affordability and power makes it a winning combination.

The VST works by boosting a frequency selected by the user. It’s catered towards bass and kick sounds, but due to this central feature, it can certainly be used on electric guitars, percussion, or other instruments. Bass XL allows you to hear the volume of the adjusted signal and processed signal independently and also offers the feature of compressing the signals together within the plugin, instead of just the processed one. Moreover, the plugin gives tone and position toggles, which aid in the mixing process.

You can save time and get closer to a fully finished bass sound within the plugin, streamlining your workflow. Not to mention, the plugin is extremely affordable. It might be difficult for beginners to know which frequencies should/need to be boosted, but for an intermediate/experienced producer, Bass XL is a great tool.

MixBass by PSP Audioware

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This plugin is unfortunately not available on its own and is instead within a plugin pack, “MixPack2”. However, for those considering purchasing a plugin bundle anyways, definitely take PSP bundles into consideration. MixBass is very powerful and super successful at producing at convincing analog bass sounds that are few and far between.

This plugin is best used in dance and electronic music but can be applied to a number of genres with its versatility of controls. MixBass is packed with controls subcategorized by control, compression, character, punch, and output. The user interface resembles a rack mount hardware piece and is just as complex. That coupled with its lack of embedded visualizers makes it a tool geared towards experienced professionals, or those looking to commit a lot of time to learn the ins-and-outs of a pack.

Top Free Upright Bass Vst Plugin

This plugin is certainly powerful. Its central feature is a chain of audio effects designed to pull out the high frequencies within a low-end and carve out the top-end in conjunction to produce a meaty, clean bass sound.

Considering the other intricate tools within the pack, MixBass is very affordable but may require a bit more of a learning curve to access the plugins’ full potential.

Bass Mixing and Enhancement Tips

Regardless of what VST you go with, there are a couple of general tips and tricks you should use to get an effective low-end mix. Here a couple of things to keep in mind during your creation process.

Know what frequencies you’re looking for. Typically, bass and kick sounds rest in between 20-300 Hz. Visual aids in plugins can make this process easier.

Cut out unnecessary noise in the mix. Most of these plugins employ a high pass filter for good reason- Taking out frequencies in the delicate low range when they aren’t needed is essential for a clean track.

Figure out what should be highlighted. Often in the low-end, sounds are competing aggressively with one another to stand out. Decide preemptively what sound you want to draw attention to whether that’s the bass, kick, or an 808. This will help you determine what you should compress other elements to.

Add Harmonics. Adding barely noticeable frequencies that quickly beef up the low-end is simple with plugins like MaxxBass, Renaissance Bass, LoAir, etc.

Pan/Widen the sound. In order to avoid overlap, experiment with widening and/or panning low-end instruments. BassXL utilizes this technology to create a cleaner mix.

Free Bass Guitar Vst

Use a reference track to emulate the desired sound. This is a standard practice throughout the music industry, and certain plugins such as Bassroom allow you to do this within the plugin.

Arrange low-end sounds appropriately. Create space in the mix so low-end sounds do not overlap too often. It’s very easy to create a muddy mix with even just one or two many low-frequency based instruments.

Top Free Upright Bass Vst Software

All in all, the low-end is a very delicate yet extremely important part of the mix. Bass mixing VSTs assist in creating the vital foundation of a song. There’s certainly something out there for everyone, and certainly the best plugin for bass will be what you want to accomplish. Try out one of these great options on your next mix, and you’ll definitely give your mixes that adding “punch” it still needs, without actually compromising the whole production.

Best Upright Bass Vst

To learn more bass mixing tips, check out our related articles: