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• Vst Host App

Written on 9th January 2018 at 10:47 am by Audio Animals Ltd. V Player 2 is a free standalone VST host application that can be used to open all your favourite VST's without using your DAW. This program is great if you just want to work with sound design and creating presets in instruments. A Powerful and Free VST Host with Beautifully Designed & Touch Friendly UI! If you're looking for a simple way to play VST plugins in realtime, we think you're going to love our free VST host Cantabile Lite. Cantabile Lite includes the high-performance audio engine and beautiful UI from it's big brothers Cantabile Solo and Performer.

VPlayer 2 is a free host Stand Alone application developed by Digital Brain Instruments. Compatible OS(s): Windows, macOS. VPlayer 2 is a standalone software developed for quick testing new vst/au instruments without the need to use any DAW. But also for playing a quick loading jam session with your friends using your favourite instruments, playing up to 4 instruments at same time using 1 to. A VST plug-in is an audio processing component that is utilized within a host application. This host application provides the audio or/and event streams that are processed by the plug-in's code. Generally speaking, a VST plug-in can take a stream of audio data, apply a process to the audio, and return the result to the host application.

• The VCV Host plugin includes three module variants.Host is designed to load instrument VST 2/3 plugins, Host-FX is designed for effects, and Host-XL is designed for multi-channel instruments and effects. Host (VST instrument host) For hosting VST instruments, synthesizers, samplers, and sound generators, use Host, which includes 1V/oct pitch CV and gate inputs.
• Usine Stage is available for free download via Sensomusic (64.4 MB download size, ZIP archive, standalone VST host application, 32-bit Windows support). Usine Stage is a somewhat feature limited but still rather capable version of Usine Pro by Sensomusic.
• This panel offers VST integration with your DAW. Many thanks to Inteyes (Ctrlr) for his FreeEG code, from which I borrowed liberally. This panel can load ANS format files, but at this stage cannot open AN2 files. This panel has only been tested using the Yamaha MU100R as host.

Guitarists, keyboard players, vocalists, drummers, wind players — build and control your live music rig with Gig Performer® to transform and elevate your live performing experience by gaining complete control over the sound of your instrument or voice. Our innovative approach and focus on usability is paired with an intuitive rack design, called a Rackspace, which transforms your plugins into the most powerful, yet user-friendly live music software system. And our impressive list of cutting edge features allow you to control multiple instruments, layer sounds and employ authentic effects… easily, and with little power usage.

Vst Host Program

SONGS AND SETLISTS

Songs let you reuse your rackspaces. For example, a single rackspace containing an acoustic piano sound can be reused to cover 10 songs needing piano. Reusing rackspaces greatly reduces load times and memory needs. Guitarists will love that song parts can be accessed directly using a MIDI pedal controller, as well as from a control surface or Gig Performer’s main window.

PREDICTIVE LOADING

Gig Performer’s Predictive Loading™ feature, which slims resource demands by loading only the next few rackspaces that will be needed, can now be applied at the song level. All parts of a song are loaded into memory when the song is selected for glitchless, instant switching. At the same time, Predictive Loading limits CPU and memory requirements.

BI-DIRECTIONAL MIDI CONTROL AND SYSEX SUPPORT

Control surface support has been strengthened with the addition of bidirectional MIDI control of widgets on Gig Performer rack panels, and the program now allows programming and transmitting sysex (MIDI System Exclusive) messages, commonly used with hardware synthesizers.

LOW CPU USAGE

We've spent countless hours making sure that Gig Performer uses as few CPU cycles as possible.

CROSS PLATFORM (VST, VST3, AU)

Works on OS X and Windows devices. Your GIG files can be opened on both platforms. Supports VST, VST3 and AU plugins

BUILT-IN AUDIO/MIDI RECORDER

Record all incoming audio inputs easily for later post processing in a DAW. Saved wave files are automatically timestamped - perfect for touring bands. All incoming MIDI data can be saved to a Standard MIDI File, complete with tempo changes.

Read more about the recorder

INSTANT SWITCHING

Switch between your rack spaces - INSTANTLY and GLITCH FREE. Easily create variations of your rackspace. Switch between variations seamlessly - even while holding notes.

Simple Vst Host

MIDI & OSC Support

Use your existing MIDI and OSC devices and apps. Map any control to any controllable parameter.

RIG MANAGER

Our Rig Manager allows you to move between your home and studio setup with a single click

Read more about Rig Manager

ABLETON LINK

Synchronize Gig Performer's tempo with applications running on other connected computers or tablets.

CHORD PRO SUPPORT

Gig Performer 3 adds support for the Chord Pro lead sheet format. This allows Chord Pro documents to be created, edited, and linked to songs in a setlist so a chords-and-lyrics chart can be opened when a song is selected

VISUAL WORKFLOW

Forget about channel strips, busses, auxes and sends. Just route audio from one plugin to another by connecting them together with wires. Functionality like inserts, sends and side-chaining become trivial.

GPSCRIPT LANGUAGE

A powerful, proprietary scripting language allows you to customize your rig's behaviour to the max.

Read more about GPScript

ADVANCED MIDI FUNCTIONS

Associate specific MIDI devices with particular plugins easily and visually. Use transpose, channel mapping, MIDI out settings and more..

AUDIO MIXER/ROUTER

Built in 4, 8 and 16 channel mixer/router

Read more about the new mixer/router plugins, as many as you need

Gig Performer® runs on both OSX and MS Windows so you can enjoy its benefits on whichever platform you are most familiar. You’ll also enjoy full OSC support. You can use touch surfaces such as Lemur or TouchOSC to control Gig Performer®, as well as applications such as Max for even more sophisticated control.

Gig Performer® supports VST and VST3 formats on both OSX and MS Windows, as well as the AU (Audio Unit) format on OSX.

No more confusing busses, sends, auxes or inserts used by traditional channel-strip approaches. Using the front and back panel views, simply connect plugins to each other any way you want, then custom-design Panels to control each Rackspace. You can then design a number of Variations, which allow multiple sets of settings for a single Rackspace… and switch INSTANTLY between them.

For instance, if you create a Rackspace consisting of an electric piano and some effects (phase, reverb, tremolo) then you can switch instantly from fast deep tremolo, to slow mellow tremolo plus reverb, and so on, even while still holding notes. Plus, you can customize your Panels using a variety of available widgets (knobs, switches, levers, LEDs), and colored face plates.

Gig Performer® makes the most of your plugins whether you’re using it to control the effects processing of your instrument, your voice, or both simultaneously. You can also use Gig Performer® with your existing environment, by training it to recognize the controls on your keyboards, OSC apps, MIDI expression pedals and control surfaces, and then use them to control plugin parameters. Of course, you’ll also enjoy expected features such as layering and splitting operations, and individual transposition.

Gig Performer 3 adds some exciting new features. See a list of major new features available in GP3

Design Your Sounds Like A Pro

Say goodbye to the confusing busses, sends and inserts of traditional channel-strip approaches. Simply connect plugins to each other any way you want.

Multiple Panels Per Rack

Panels make it easy to group and share common collections of controls tied to your physical devices and to plugin parameters in individual rackspaces.

Usine Free Vst Hosting

• GP has absolutely changed how I run my guitar rig and has finally allowed me to run it how I want to rather than how the software wants to.

• After more than 20 years of using a PC to run my keyboards on stage, I finally don’t live in fear of the next patch or song change.

• Yay finally someone with brains developed the vst host from heavenI purchased Gig Performer and OMG. This is by far the best live VST host for live work. Thumbs up big time. Look forward to gigging with this beasty vst host from heaven. Yay.

• Vst trap plugins. It’s actually CHANGED my studio by giving me the ability to have “physical” control of virtual instruments on the fly without the need for the GEAR.

• I love it when I get a new instrument or tool to use it gives me a fresh outlook and Gig Performer has done exactly that. I now find I am creating more complex sounds for my stage performances and being confident that they will work. Gig Performer was created for musicians who want reliability and a familiar way to create and recreate their sounds on stage it is not just another way to use your plugins for me it has become another instrument. Thank you Gig Performer you are a Great Performer.

• Thank you guys for creating a 'Musician's Tool' instead of another Engineering Tool

• Very impressed with Gig Performer. It is so intuitive that probably it doesn't need a manual

• Gig Performer has liberated my best audio plug-ins from the confines of the studio and finally made it practical to bring multiple instances of them to the performance stage. Simultaneous MIDI processing makes a versatile system. I now have one very compact live setup!

• Gig Performer is like a breath of fresh air for laptop performers. Stable, efficient and without all the extra unnecessary features that increase cpu and distract from a smooth playing experience. It’s a lean, mean performing machine and will find a home with many players looking to augment, or completely replace their hardware rigs.P.S. I just made a gig with 50 instances of Uhe Diva in it. Resting cpu = 2%. wow!

• Finally, a plugin host that truly addresses the needs of live performers

• Gig Performer is a game changer for me. Not only can I create any combination of sounds with this but also perform them live with seamless switching.The only limitation with Gig Performer is your imagination.

• Gig Performer is an amazing tool for my unconventional set up. Allowing me to access the full power of my laptops into my system. It is quickly becoming an incredible asset to my live shows.

• I was also impressed that it handled midi fx, I wasn't expecting that 🙂

A Few Of My Classic Car Memories

When the first Ford Mustang came off of the line in the mid-1960s, it was an instant best-seller and sold more than 400,000 models in the first year alone. More than one million of these cars were built over the next decade. The Mustang certainly deserves to be one of our classic car memories.

Ford changed the Mustang’s body shape in 1969, making it larger than the previous model. In ’69 and ’70 they also released new trim and performance packages such as the Mach 1 and the Boss. The Mustangs of ’69 and ’70 are some of the most desired models to collectors.

A decade after Ford introduced the revolutionary Mustang to the world, they reinvented it for the masses. First released in 1974, the second generation of classic Mustang history was marked by the “Pintostang“, a Mustang design based on the Pinto platform known as the Mustang II.

The Dodge Coronet was introduced with the division’s first post-war body styles. The only engine for Dodge was a 230-cubic-inch flat-head straight six cylinder engine with a single barrel Stromberg carburetor. The stock Dodge Coronet was a smooth running car and the six-cylinder engine could power the car to 90 miles.

Dodge received a facelift for 1950 but like the 1949 models, consensus was divided into Wayfarer, Meadowbrook and Coronet lines. The 1950 models can be identified easily by the new grille design which featured 3 heavy horizontal bars. The upper and lower bars formed a stylish oblong shape.

Dodge received yet another facelift in 1951 but this time the cars remained virtually unchanged for two model years. Still divided on style, by 1953 the Wayfarer line had been discontinued. The grille of the 1951-52 model was similar in shape to the 1950 grille, but with the elimination of the thick vertical center bar.

The Corvette was first introduced in 1953 at the Motorama display of the New York Auto Show. It garnered so much attention during the show that GM decided to create a production version for the public. While only 300 were built in its first model year, that number went up to 3,640 for the 1954 iteration.

The second generation Corvette, known as C2, introduced us to the Sting Ray coupe and was smaller than the first generation of classic car memories. Hidden headlamps were a big development along with an independent rear suspension. In 1965, the Corvette was produced with four-wheel disc brakes.

Over a span of 16 years, the Corvette remained mostly unchanged. The third generation was introduced in 1968 and featured the first use of T-top removable roof panels. In 1978, the Corvette celebrated its 25th birthday and was crafted with a fastback glass rear window and an upgraded interior.

The Oldsmobile Toronado was a sensation to car buffs when it was introduced. For one thing, it had front-wheel drive… something unseen from the American automobile industry since 1937 when Cord production ended. For the general automotive public, the big excitement was Toronado’s styling.

The Toronado was built on the new General Motors E platform, shared with the 1966 Buick Riviera and the 1967 Cadillac Eldorado. Each of these cars was distinctly different in character, masking their common platform origin. The Toronado was designed to be a sporty, performance oriented entry.

Then in 1967, facelifting started to take its toll on the Toronado concept. Vertical grille bars were added destroying much of the Cord connection. The character of the Toronado was very much watered down, eventually drastically, when new generations arrived for 1971-78, 1979-85 and 1986-92.

You could prowl vintage car shows for years and not find an automobile that soils classic car memories more than Detroit’s 1972 Gran Torino. Let’s begin with the thing itself: The car was tubby and it was awkward. It handled like a block of ice with a steering wheel. It lacked even minimum corrosion proofing.

The 1972 Gran Torino was one of nine largely redundant iterations of the Torino nameplate. It was part of a classic Detroit product strategy that attempted to fill every cranny of the segment at the lowest possible investment. That year’s Torino, Gran or otherwise, also employed a significant retreat in engineering.

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You could blame Ford’s penny-chiseling management for the Torino’s mediocrity, but you would also have to indict the assembly line. In 1972, Detroit’s unionized workforce was in the full flower of its indifference. Shop foremen battled against even the most common-sense efforts at accountability and quality control.